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2001: A Space Odyssey

2001: A Space Odyssey – Stanley Kubrick’s 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet,...

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Moon

After studying 2001: A Space Odyssey in intimate detail, Duncan Jones’s Moon was the logical choice for my second foray into sci-fi typography. As its opening shot illustrates, Moon is a bleak, lonely,...

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Fontspots: Eurostile

In addition to the film-specific typographic deconstructions on this site, I’m keeping track of all the times I spot classic sci-fi fonts in movies. What better way to start than with perennial sci-fi...

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Alien

My third post about typography in sci-fi has been gestating for a while now. Indeed, it’s been slowly taking shape – you might say it’s been forming itself inside of me – for really quite some time....

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How To Make Your Text Look Futuristic

We’ve already seen how Eurostile Bold Extended is spectacularly effective at establishing a movie’s timeframe. But if Eurostile isn’t enough, there’s more you can do to clarify your movie’s timeframe....

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Blade Runner

After studying Alien in intimate detail, it’s time to look at the typography and design of Ridley Scott’s other classic sci-fi movie, Blade Runner. Based on Philip K. Dick’s novel Do Androids Dream of...

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WALL·E

From a trash-filled Earth to the futuristic Axiom and back again, WALL·E is a finely crafted balance between consumerist dystopia and sixties space-race optimism. Please join me, then, for a detailed...

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The Book

Exciting news: there’s a Typeset in the Future book! Typeset in the Future: Typography and Design in Science Fiction Movies was published by Abrams Books on December 11 2018, and is available to buy...

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Star Trek: The Motion Picture

Star Trek: The Motion Picture, a movie adaptation of the cult sixties TV show, very nearly didn’t get made. If it weren’t for the runaway success of Star Wars and Close Encounters of the Third Kind...

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